the 1994 emperor album back as limited picture vinyl in gatefold sleeve.

andy garvey finally breaks cover after years of honing her cyber-tinged production edge with a hefty four track debut ep for the lobster theremin main label.

italys cosmic garden debut on hot haus recs with a mini album of lush-atmospheric-house jams. produced and conceived in the southern city bari, home to a burgeoning scene of underground house

brother nebula has released a stellar solo ep and a collaboration with solar on the legwork label in 2018 to critical acclaim – two weeks priot to his release on touch from a distance, brother nebula will be part of the first tfad labelnight at panorama bar alongside desert sound colony, opal sunn live and nick ho&#776,,ppner

jakob häglsperger aka kalipo with his 3rd longplayer, brought to you by ki records.

split ep from forward strategy group and rommek on yellow vinyl.

second release on burgeoning irish imprint - soft boy records - following on from kojaque with a debut ep from wastefellow - a forward thinking young producer and vocalist from dublin, ireland. 5 tracks of pyschedlic dream pop with picks from a number of palettes condensing everything which has defined his sound so far down to five concise, angular tracks that float somewhere between the bedroom and the dance-floor.

pedro vian, the man who started modern obscure music and one of the most crucial artists in barcelona scene signes a new release on mm discos.

repress in plain white sleeve.

after a short hatius following the sellout dr001 - tommy vicari jnr s suction ep in 2015. drifted records latest sub-label project mid-flow series showcases the more electronic/breakbeat shade of minimal techno. their debut 8 track various artist compilation lp includes compositions from henry hyde, martinez, voigtmann, alicia hush, lee hume, unai trotti, amathia and bilal.

the year is 2018, and human concrete block has finally emerged from the ever-growing london underground scene. helmed by dj and lobster distribution operative nettles, hcb is an international syndicate dedicated to saving the future of dance music as we know it. for its first offering, hcb delivers a packet of absolutely blissed-out serotonin kissed sunrise rave material from california’s caffeine worldwide aka dylan chase. the “trinity ep” follows after caffeine’s sharp debut on french press lounge last year and hot on the heels of his “universal theme ep” for third try records, bringing more of his signature take on euphoric hardcore, cheeky idm and ambient downtempo meditations.

the original motion picture soundtrack from marvel’s “avengers: infinity war” on picture vinyl.

italian producer morkebla presents his new “inner maze walkthrough” ep on fuselab. drippy rhythms, haunted industrial touch, subtly discomforting though balanced textures - a good blend of ambient electronica and nowadays meta divings into one’s mind corners. there is also a collaboration with infinity frequencies and a remix by perfume advert on a 12” with printed cover by theresa baumgartner.

inspiriert von seinen beiden beiträgen zum twin peaks the return score von 2017, legt chromatics-frontmann johnny jewel nun ein ganzes album voller soundtrack-kompositionen vor. unter den 21 tracks befinden sich auch neue variationen seiner beiden twin peaks beiträge windswept und shadow. die doppel-lp erscheint auf kirschkuchenfarbenem vinyl.

for its tenth anniversary, killekill decided it is worth to resurrect the main label and bring it back in full effect with another compilation of tracks by our beloved family members, favorite artists and bestest friends. cat. number 020 was never released, and we thought, this celebratory occasion was perfect to fill that gap, so everything is cleared, and we can step into the next decade. we start off with a track by mmm, the legendary duo consisting of fiedel and errorsmith, known for pushing the boundaries with every of their very rare releases. this one is an extremely simple, but effective weapon to destroy all dancefloors with its slightly loutish appeal. neil landstrumm got together with brian rays and produced a bleeper hit with catchy vocals. we don t know who the lyrics refer to, but they definitely express a punky fuck-off attitude, which we are missing a lot nowadays.

white coloured , brainwaltzera and analogical force move along the same path, without questions, and always looking forward. bunker ep is the new piece of the puzzle, perfect to increase the legend to infinity.

northsouth records invite emergent talents chris geschwinder and henry hyde to whip up some dazzling peak time house fare, with each artist presenting themselves across two tracks. geschwinder is up first with the charging modern axis of evil, matching the haunting purr of the lead synths with an insistent kick and clap combo that can t be argued with. hes no slouch on in 2 either, getting into a subtly lopsided and seriously swinging spot that its hard to wriggle out of. henry hyde too seems to have a focused vision for what they create, fusing the pops and wobbles of minimal and matching it with the overall bulbous nature of the music on northsouth.

"soundboy a-go dead tonight! skrsintl crew load up their dub boxes deep and deliver a wide-ranging, rapid-fire display of their unique vision for musical murderation. pulling the best from their clashes and world travels they weave together a bewildering barrage inna dance leaving a soundboy downright dazed and dusted. and yet within this deadly encounter, there is deliverance when the smoke settles, unscathed, only life remains sekkle urself in this infinity; tune can’t run out."

decks tipp!
following up from last years ep on pleasure unit the folks from miskotom deliver a lovely 5 tracker for our other imprint pleasure wave following on from g marie and jonny .,the guys(guy and girl) carry on in much the same vein but drop gears ever so slightly for some more sun drenched tropical sounds. the opener hyena s laugh could be wally and larry jamming with the locals on kong island. senoi takes you on the back of a pick up truck and transports you from the coastal town and out onto the dusty tracks and into the night for a ride through the jungle and onto the other side. 10th day is all about cocktails by the infinity pool in the secret resort and soaking up that late afternoon sun. kuai can che is all twilight era maze tougher drums and chimes with those floaty synths. seeing us out is final cut kopiek lying back on the boat as you leave the island and it all becomes a tiny dot on the horizon...float on.. file under tropical, balearic, beach sounds.

ghent based pianotrio steiger have earned their place in the ever growing peloton of young belgian jazz innovators. as a result, they won the young jazztalent price at the 2017 gent jazz festival. with their luscious and rigid grooves in minimalistic framing, they cose themselves between schntzl and de beren gieren, likewise minded young beljazzbands that don’t take it so closely with traditions. they play jazz with a rock’n’roll attitude. sdban ultra is very pleased to present a sampler of their debut album ‘and above all’ on a limited 10” vinyl for record store day 2018. this release marks their introduction on sdban ultra, their sophomore album is expected next fall. ‘and above all’ houses both jazz and modern compositions, avant-garde and experimental electronics. steiger takes inspiration from jazz and refers to the traditions but equally pulls those apart, for example in the chaotic miniature bachfag and in the intimate inverse/reverse . with berlin revisited the band clearly chooses electronic instrumentation. it is reminiscent of the electronic jazz of the noughties: bands like triosk, sofa surfers and flanger did not so much work towards jazz but used the genre as a stepping stone to dive into the cosmos. steiger are launching themselves into infinity on this track with a pounding beat, shrill cymbals, overdriven keys and an unwieldy bass.

firescope records, the scion of b12 records, releases its first album from none other than its chief commander, steven rutter. the second credited solo release from rutter, it signals another step away from b12 as he steadily builds on a singular vision of work under his own name. finished in two different coloured vinyl a/b and c/d in a wonderful gatefold featuring the artwork of sarah sparkes

inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul is at the helm for the first volume.

something happening somewhere returns with a new collection of stories unified under the brand new nowhere compilation series. shards of tales long forgotten are told and retold by a group of fellow travellers, exploring sounds in many shapes and forms. sailing towards an unknown destination, revealed here are the hymns luring you into the abyss… the nowhere 01 vinyl sampler is a carefully curated selection of freshly crafted propellants pressed on wax for the very first time. quince gives us a saturated electronic work-out, combining gritty drum sounds with bass guitar and odd timed synth zaps. kurt baggaley’s detect was a digital exclusive from his remembering infinity ep, now finally available on black gold! it features a similar electro groove but uses artificial intelligence to add vocoder sounds and digitally aliased robot tears. fader from borneo takes a more frontal approach providing a catchy bass riff with warm pads and synthesised strings to guide you in a comfortable trance.

legwork drops an intergalactic three-tracker from the unknown brother nebula.

doi records begins with ‘lightnesses’, two long-form recordings from the studio of composer and sound artist, william doyle, formerly known as east india youth. delivering two blissful, near thirty-minute takes across limited edition tape and digital formats, lightnesses is a sound experiment that pays tribute to the original ideas of ‘ambient music’, while nudging our expectations of the form.
emerging accidentally from unauspicious circumstances, lightnesses evolved during the recording of an as-yet unfinished album, when the coda of one track spiralled out into infinity in one long but ever-evolving drone, constantly shifting in form.

jexy is getting all up close and personal on his new hi-fi house release. featuring the canadian and singer pal isha d on vocals, -human emotion- is a love song that doubles as a call to disconnect and find real love. netflix and chill? how about just chill! meanwhile, the lounge vibe is strengthened on the sophisticated -botanico,- while on -fifth wind,- jexy channels some trip-jazz with a slow breaks drum pattern. the ep is rounded out by -infinity room,- a melodic groover that should please fans of jex s earlier work. recommended!!

deep spacy acid influenced techno. incl alexi delano rmx

eleased by butter sessions and noise in my head who are also known for their offshoot efficient space, sky girl is enriched with artwork from perks and mini mutant misha hollenbach and appropriately elegant sleeve notes courtesy of ivan smagghe. australian import 2lp, released by butter sessions and noise in my head who are also known for their offshoot efficient space (sky girl, etc) - all exclusive tracks! scratching the surface of australia’s independent electronic massive, butter sessions and noise in my head finally compile the second volume of domestic documents. featuring all exclusive tracks, perth godfather ewan jansen joins new wa blood phil stroud and senate, respectively making hectic percussion tracks and hell bent techno, as newcastle transplant roman nails emerges with his squelching one take tape experiments. meanwhile in melbourne, fia fiell’s ambient mind maze and butter sessions alumni booshank target the cerebral cortex, hotrod goes full turbo and live/dj wingmen miris and norachi share the same side of their vinyl debuts (alongside the freakishly underrated colours of infinity aka kloke). kangaroo skull and cale sexton fly the flag for temporal cast, the latter on a calming club collab with sleep d. liner notes from ivan smagghe and artwork from misha hollenbach (perks and mini) features many rarities reissued for the first time ever

following a live debut at berghain and standout shows at de school and institut fuer zukunft, daniel martin-mccormick returns as relaxer with the fourth installment in the projects eponymous ep series. jamie lee takes over the a-side harrowing screams are framed by strobing chords and a deadly groove. simultaneously euphoric, agonizing and cathartic, jamie lee was written as the climax of relaxers live set and is a prime example of the artists uniquely feral techno. drawing equally on punk confrontations and more haunting emotional explorations, jamie lee is a lacerating and visceral descent. on the b-side, unwind oozes from the speakers, a miasmic cut that builds on the white knuckle tension of jamie lee. a lone synth figure worms its way through pulsating 3d drones, shimmering dissonances and hiccuping drums, rocking out into a quasi catatonic infinity. finally regime change gently floats on the surface of a trash-filled sea, a fading, smog choked reverie.

hope are in the black phase. everything around them is obscured. every lyric and every spark of music, every photograph and every recording is drenched in black. it’s not the black of wave or gothic bands, but the unpretentious black of portishead or talk talk. a black arising from a wound and at the same time covering the wound, burying it. a scab. a black letting you forget the jazz, the academics, and the provinces that hope has come from. in germany, jazz, academics and the provinces are very close, and hope had to live through most painful experiences, play many unnoticed concerts, and remain unloved to find the love for themselves and their music. only this explains the dark stringency and consequence of their self-titled debut album (produced by olaf opal), featuring monolithic songs like cell, kingdom and raw. songs, sounding rather like dystopic infinity than a light-hearted debut album. songs, compressed to one word, as if the listener should not waste any time with reading, but start listening. listen and dive into the endless hope wave of sound, vehemence and black. and yes, during all of this, the iconic singer christine börsch-supan is naked. we can only guess her contours - it is too dark.

first release from the beat catalogue serie which is focused on new artists. all music produced and mastered by kevin skyler. electronic delight ranging from dance to experimental style

stephen laubner never fails to deliver the goods, whether on his own label something or elsewhere. having recently popped up on the untold stories, this time around hes dropping his uniquely crusty compositions on synthetic gold. after a quietly disconcerting ambient opening, the leftfield grind of the taphead pushes an uncompromising agenda of ragged bass and an unrelenting groove. october sunrise by way of contrast is a more intimate, sweet natured affair. syntax error too taps into the softer side of laubner s craft in a most mesmerizing of ways, but for the die hard fans fear not, there s also plenty of locked groove loops included to keep you tripping into infinity.

rnt welcomes upstart londoner cody currie into the roster with the groove-heavy movin smoke ep. a precociously well-developed production talent, the young producer puts his penchant for deep house sample-scapes on full display here. from the blissful lilt of the title track to the creatively crafted jazz funk of infinity i & ii through to the b-side bangers make love and magic city, this record is a beautiful listen from beginning to end.

editions mego is proud to present the first release of a brand new project from jg thirlwell. recorded at self immolation studios, brooklyn. this is xordox.
all songs composed, performed and recorded by jg thirlwell at self immolation studios sarah lipstate - guitar on 3, 5 and 6 final mixes with al carlson at lazer sound inc greenpoint buchla and serge recordings made at ems stockholm tech and engineering at ems by jonas broberg and daniel araya mastered by scott hull at masterdisk

timothy heretic’clerkin has a new record out. this new record is called serenade. it is out on ransom note records. it is three tracks from timothy and one remix from marlon hoffstadt. all four tracks are winners. they sound like the 90s remade by people too young to remember the shit bits. there are breakbeats. there are acid lines. there are weird samples about drugs. there are things that sound like orbital. there is no time wasted.

originally released in japan in 2015 on dj emmas nitelist music as part of its acid ep series, only a small handful of copies of this 12inch made it to europe. jd twitch was lucky to score a copy and both tracks became firm favourites in his sets and much asked about. twitch felt this music deserved a wider audience so was kindly granted permission to reissue it on optimo trax. yes another double a side release, a1, hiroshi watanabes - infinity sign is a hypno ecstatic acid piano-tingling monolith. a2, kuniyukis acid air is a slow building organic percussive acid freak out that will cause a freak out on the floor. it is hard to do anything with a 303 that is interesting these days but both the tracks on this 12inch are 100% club classic.

a rare look into the discotheque era of waikiki, al nobriga’s “my last disco song” tells of a time when nightclubs lined kalakaua avenue and practically every hotel hosted live entertainment. seven days a week, locals rubbed elbows with visitors in discos like the point after, cock’s roost, garden bar, infinity, duke kahanamoku’s, foxy lady too, valentino’s, hawaiian hut—the list goes on.

90 degrees is the outcome of a collaboration between dsx and sid lamar. 4 crude newbeat-tinged instrumentals accompanied by sparse, yet direct vocals blend into urgent proto-wave with a sharp body music approach.
mastered and cut by matt colton at alchemy mastering, london.

planet mu are very excited to announce jlin’s long awaited second album “black origami”. a percussion-led tour de force, it’s a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music.
“black origami” is driven by a deep creative thirst which she describes as “this driving feeling that i wanted to do something different, something that challenged me to my core. black origami for me, comes from letting go creatively, creating with no boundaries. the simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. composing music for me is like origami, only i m replacing paper with sound. i chose to title the album -black origami- because like -dark energy- i still create from the beauty of darkness and blackness. the willingness to go into the hardest places within myself to create for me means that i can touch the infinity.”

language is a tricky thing. it’s possible to convey the most beautiful and heartfelt experiences with just a few words but meanings can be lost in translation. language itself being just a symbol pointing to the actual thing, like fingers pointing to the moon it’s key not to mistake the finger for the actual moon. if you do you might miss all the heavenly glory the finger is pointing to. the map is not the territory. kiani & his legion is back on sohaso with the next chapter in his sonic explorations. a mini-album that’s more than the sum of it parts, drawing you in with a story worth to be told. using a language that doesn’t need to be explained trough words, the symbols merge with their meaning trough sound. the story commences with a female voice whispering gently to you to ‘close your eyes and fly’ and while making your journey don’t forget to ‘breath’. you get introduced to the sturdy drum patterns and eerie string pads that have become main ingredients for kiani’s soundworld. eindeloos takes an irresistible groove and badass walking bass winding up between endless flanging spirals. oval flight starts out with the cheeky sound of an electric harp but inside it hides a seed that sprouts to enormous proportions. beneath the beauty you can feel something sweltering, wanting to expose itself. it links back to the beginning and finally lifts you off with a grand gesture. if you remember me then i don’t care if veryone else forgets, uses haunting atmospheres that remind of 80’s science fiction or the eerie vibes found in twin peaks to provide safe landing ground beneath the feet after your flight. l.o.v.e. forms an appropriate conclusion to the story, reflecting with a melancholic chord progression, soul healing choirs and the phonetic symbols ‘lima, oscar, victor, echo’ repeating till infinity.

2017 edition- 2x12inch in replika gatefold with fabric on spine. the classic >let the children< techno compilation for the 1st time available as deluxe 2x12 inch lp edition! limited to 2000 units worldwide. 20 tracks gathering some of the best electronic music producer: skream, mr oizo, breakbot, flying lotus, sebastian, discodein, busy p, dj mehdi, duke dumont, gesafelstein, riton, para one + tacteel, l-vis 1990, siriusmo

the 12 greatest tracks from dream dance volume 1 - 4 on double vinyl, housed in a gatefold sleeve.

a mesmerizing journey into gloomy parallel universes.

if you’re setting out on an epic voyage to the electronic disco universe, it pays to recruit an experienced pilot. when it comes to intergalactic musical fusion, few are quite as experienced as cosmic disco pioneer and noted dancefloor explorer daniele baldelli. produced alongside friend and regular studio partner dario piana, zero gravity cannily updates baldelli’s early ‘80s cosmic disco blueprint for the 21st century. we think that the ep contains some of his strongest music to date, with each of the three cuts offering subtle nods to the italian maestro’s original cosmic club ethos. a-side “infinity machine” expertly combines many of baldelli’s greatest musical inspirations into one mind-bending late night workout. underpinned by a druggy, arpeggio style bassline, the track rises and falls through waves of funk-rock guitars, crunchy clavinet lines and intertwined synthesizer solos. throw in jammed-out electric pianos, and you have a near perfect fusion of cosmic disco and blazed funk-rock. the producer’s long-held love of african rhythms surfaces on “if you drive”, where bold acid bass, ricocheting percussion hits and weightless chords combine beautifully with starry melody lines and vintage analogue synthesizer motifs. it’s afro-cosmic for the nu-disco generation. a fine ep is completed by “air lock”, in which baldelli and piana pepper a rubbery, electrofunk-influenced groove with cascading synthesizer melodies, swirling pads and a swathe of fuzzy, eyes-closed guitar solos. it’s bold and assertive, but also as otherworldly and stratospheric as you’d expect from a pioneer at the peak of his powers.

yuji kondo finally announced that he will be releasing an album entitled ‘faces past’ from his own record label the 10 label imprint.
yuji kondo is a music producer, 1/2 of the steven porter and co-founder/director of the 10 label imprint. kondo has various names in his music activity, yuji kondo, ducerey ada nexino, steven porter (with katsunori sawa).

super music for super people. lucky you! the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. it’s guaranteed fresh to infinity and beyond, yeah!